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Posted on June 4, 2016June 4, 2016 by lindamayoux

John Pfahl

website: http://johnpfahl.com

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Categories1: Beauty and Sublime, 4: Landscape Identities

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Previous PostPrevious Assignment 4: Critical Review preparation

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1: Beauty and the Sublime: Lake District

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1: Beauty and the Sublime : Projects

1.1 Preconceptions about Landscape
1.2 Photography in the museum or in the gallery?
1.3 Establishing conventions: Landscape Art and Landscape Photography
1.4 What is a photographer?
1.6 The Contemporary Abyss
1.8 Zone System in Practice
Assignment 6: Transitions: BENCH

4: Landscape and Identities : Cote d’Ivoire

Zaranou to Abidjan

Zaranou to Abidjan

Zaranou to Abidjan

Zaranou to Abidjan

Zaranou to Abidjan

Zaranou to Abidjan

Zaranou to Abidjan

Zaranou to Abidjan

Zaranou to Abidjan

Zaranou to Abidjan

Zaranou to Abidjan

Zaranou to Abidjan

4: Landscape and Identities : Projects

4.1: Critical Review Proposal: Beyond ‘Safari’
4.2: The British landscape during World War II
4.3: A subjective voice
4.4: ‘Of Mother Nature and Marlboro Men’ Deborah Bright
4.5: Signifier – Signified
4.5 and 6: Proposal for the self-directed project
Assignment 4: A New Safari : some reflections on ‘shooting’

4 : Landscape and Identities : Posts

Landscape and Identity
Landscape and Gender
Designing a project brief
Roland Barthes
African Photography
Marcus Bleasdale
John Pfahl
Simon Roberts
Tim Simmons
Jo Spence

Key Inspiration

Robert Adams
Jesse Alexander
Shirley Baker
Lewis Baltz
Marcus Bleasdale
Edward Burtynsky
Peter Henry Emerson
Lee Friedlander
Fay Godwin
Paul Hill
Dana Lixenberg
Justin Partyka
Jo Spence
Hiroshi Sugimoto
Donovan Wylie

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For details of my other OCA courses.

If you want to see hi res files or buy.
For details of my other OCA courses.

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