‘My camera is my eye. It captures moments between what I’m viewing and me. I record the time that I will soon pass through while I experience the timelessness of its passing. I walk a circle which path has neither beginning nor end. I photograph this path where each beginning is the horizon of the last one. By layering all these photographs together they form one image that documents my journey. In a sense I record time and in so doing, I continue its movement forever.

I study this cyclic movement. I take part in it and imitate it, by walking the same circle route during one year. While walking, my feet find the rhythm of the way. A monotonic beat is unleashing my thoughts. Knowledge of the past and the future is dropping onto the path; bit by bit the present reveals its timeless essence’.

Through the layered structure of her photographs, Eeva Karhu reflects on time and its cyclic nature, using multiple exposures as her technique for recording time’s passage. Her art engages in the study of perception and cognition. The human eye and memory are not like a camera, which records everything unselectively, because the experiences relayed by our visual receptors are always coloured by our emotions and other sensory impressions.