Windows to the Present 2: Beast of Bramblefields

I would like to collaborate with people interested in collectively developing a series of alternative ‘essence of autumn’ images that are less stereotypical and more creative and meaningful for the 21st century than the ones we normally see.

In Europe this month is now technically in autumn. But in UK there is abnormally warm weather over much of the country. What I see in my garden and walks by the river ranges from remnants of bright green to dull fading greens of dying grass, grey whites and browns of dried seed heads and white purple-veined convolvulus flowers spreading in dark green hedge shadows. The occasional yellow flowerhead, faded red poppy and blue cornflower. There are only occasional splashes of the traditional autumn oranges and reds of turning leaves that I assume will at some point in the near future burst to fill the conventionally picturesque autumn scene, Though actually what I see are mostly terminally shrivelled rusty browns of diseased horse chestnut trees.  I am anticipating later the melancholy end-of-year dark browns and purples of decaying wet leaves, punctuated with white grey mushrooms and fungus.

I apologise for the late night lyricism. But I have many questions, for example:

• What is colour anyway, given that we all perceive things rather differently? What does the camera capture when we talk of colour? How ‘accurate’ can photography be? and, given the variations in individual perception, what do we mean by ‘accurate’ amyway?
•  What are the geographical differences in ’objective colours of autumn’? Are autumn colours different in urban areas and cities than in rural areas? In other regions of the Northern hemisphere? In the Southern hemisphere Spring?
• How is ‘objective’ colour linked to our subjective emotional associations? How do different colours convey different moods associated with autumn? How does this vary between cultures? 
• How does climate change and what we actually see this year affect our conception of ‘autumn colours’?

These are only my initial late night thoughts. Other people may have very different conceptions and questions to shape the discussion. On a practical manageability level in the timeframe, photographs could be existing photographs, new images through the window of the street or garden, a walk around where you live or further afield, objects brought home, something more abstract etc etc etc etc.